{"title":"Shop all Encaustic Wax","description":"","products":[{"product_id":"langridge-encaustic-wax-250gm","title":"Langridge Encaustic Wax 250gm","description":"\u003cp\u003eEncaustic is a beeswax-based painting medium.\u003cbr\u003eHeated till molten and coloured with pigment or oil colour, the wax is applied whilst hot to inflexible supports with an absorbant surface preparation.\u003c\/p\u003e\n\u003cp\u003eEquipment needed: Electric heating pan or tray. Do not use flame. Heat-proof containers or muffin tray. Natural bristle brushes and spatulas.\u003cbr\u003eApplication: Break off desired quantity of wax and place in containers sitting on heating pan . Melt Encaustic Wax melt point = 72o C. Once melted add pigment to colour.\u003cbr\u003eStir to blend through the wax evenly. Apply to prepared surface with brushes or spatulas. The wax hardens as it cools.\u003c\/p\u003e\n\u003cp\u003eIngredients: Refined Beeswax, Castor Wax.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":42385382801631,"sku":"1162","price":20.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/products\/langridge-encaustic-wax-250gm-538932.jpg?v=1648125255"},{"product_id":"langridge-encaustic-wax-1-kilo","title":"Langridge Encaustic Wax 1 Kilo","description":"\u003cp\u003eEncaustic is a beeswax-based painting medium.\u003cbr\u003eHeated till molten and coloured with pigment or oil colour, the wax is applied whilst hot to inflexible supports with an absorbant surface preparation.\u003c\/p\u003e\n\u003cp\u003eEquipment needed: Electric heating pan or tray. Do not use flame. Heat-proof containers or muffin tray. Natural bristle brushes and spatulas.\u003cbr\u003eApplication: Break off desired quantity of wax and place in containers sitting on heating pan . Melt Encaustic Wax melt point = 72o C. Once melted add pigment to colour.\u003cbr\u003eStir to blend through the wax evenly. Apply to prepared surface with brushes or spatulas. The wax hardens as it cools.\u003c\/p\u003e\n\u003cp\u003eIngredients: Refined Beeswax, Castor Wax.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":42385382867167,"sku":"116K","price":80.9,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/products\/langridge-encaustic-wax-1-kilo-678873.jpg?v=1693266651"},{"product_id":"matisse-high-tooth-gesso-encaustic-250ml","title":"Matisse High Tooth Gesso (Encaustic) 250ml","description":"\u003ch1\u003eMM36 | High Tooth Gesso\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eMatisse MM36\u003c\/strong\u003e is permanent, flexible water-based ground, with a high tooth finish, for canvas, board, wood panels or paper. High Tooth Gesso dries to a bright white, matte surface that provides much more \"bite\" and absorbency than a standard gesso, making it a recommended ground for encaustic work or as a soft and oil pastel primer.\u003c\/p\u003e\n\u003cp\u003eWhile it is possible to make your own encaustic gesso, to prepare your substrate, it can also be a time consuming, messy and expensive process. Homemade encaustic gesso must also be used within a few days as it susceptible to mould growth.\u003c\/p\u003e\n\u003cp\u003eIn response to this problem, Matisse has created \u003cstrong\u003eMM36 High Tooth Gesso (Encaustic)\u003c\/strong\u003e. This unique product provides an easy alternative to creating a surface for encaustic painting. Used straight from the container, High Tooth Gesso dries to a white, matte surface that provides much more “bite” than standard gessoes.  Although pre-treated encaustic painting boards are available, using Matisse High Tooth Gesso allows the artist to customize the surface sizing of their project and is also more economical.\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eThe techniques and methods for using encaustic are many, and the use of Matisse MM36 High Tooth Gesso caters for them all and imparts the maximum archival benefits to your encaustic artwork\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eApplication\u003c\/h2\u003e\n\u003cp\u003eMatisse MM36 High Tooth Gesso is best applied with either a flat brush or roller. A minimum of two coats is recommended to ensure complete coverage.\u003c\/p\u003e\n\u003ch2\u003eDrying Time\u003c\/h2\u003e\n\u003cp\u003eSubject to atmospheric conditions, allow 1 to 2 hours drying time between coats.\u003c\/p\u003e\n\u003ch2\u003eFinish\u003c\/h2\u003e\n\u003cp\u003eMatte, bright white with a high-tooth surface. As a comparison, this product has much more tooth than either the Matisse white and black gessoes. It forms a gritty, dry surface.\u003c\/p\u003e\n\u003ch2\u003eClean Up\u003c\/h2\u003e\n\u003cp\u003eClean brushes, paint rollers and hands with warm soapy water.\u003c\/p\u003e\n\u003ch2\u003eEncaustic and Substrate\u003c\/h2\u003e\n\u003cp\u003eEncaustic painting, also known as “hot wax painting”, refers to the process of mixing melted wax with pigment to create a soft, coloured paint-like blend that can be manipulated with implements and heated metal tools. As most other painting techniques, Encaustic work requires a properly prepared surface to allow the painted layers to adhere successfully to its support.\u003c\/p\u003e\n\u003cp\u003eThe wax, mostly beeswax (this type is preferable as Paraffin wax can be britle when it sets), is heated until it is clear using the double-boiler method (where one small saucepan is placed in another saucepan of water on a stove) or with specialist warming appliances made specifically for this purpose. Pigment is then added. This is in general terms a simple description of an encaustic mixture, but there are several recipies available that may include the addiiton of damar resin, linseed oil or the use of other waxes. Nowadays, there are commercialy pre-blended wax and pigment blocks that only need to be melted before application.\u003c\/p\u003e\n\u003cp\u003eThe wax and pigment blend must be kept warm during application, and this is typically done with a warming tray. Although it can be a labour-intensive process, artists who use the encaustic painting technique frequently refer to its texture and luminosity.\u003c\/p\u003e\n\u003cp\u003eHowever, the encaustic artist faces a unique problem in that typical acrylic gessos do not work particularly well with the wax and pigment blend as surface partially repels the wax. While it is possible to make your own encaustic gesso, it can also be a time consuming, messy and expensive process. A bag of rabbit skin glue crystals need to be soaked overnight, before being added to a whiting\/pigment blend and boiled. Once cool, the mixture needs to be strained to ensure that the dried surface will have a smooth tooth. Homemade encaustic gesso must also be used within a few days as it susceptible to mould growth.\u003c\/p\u003e\n\u003cp\u003eA strong tooth is important to the encaustic painter for three main reasons. Firstly, it absorbs the wax adhering it to the surface. Secondly, it also allows the artists to use coloured wax\/pigment blocks to “draw” an underpainting on the surface before applying clear melted wax and blending. Thirdly, the surface also makes it possible to apply charcoal, watercolour or both oil and dry pastels before the applying the melted wax\/pigment blend.\u003c\/p\u003e\n\u003cp\u003eThe techniques and methods for using encaustic are many, and the use of Matisse MM36 High Tooth Gesso caters for them all and ensures that your artwork will remain stable for as long as possible.\u003c\/p\u003e\n\u003cp\u003eEncaustic painting is also frequently done on wooden surfaces and Matisse High Tooth Gesso dries quickly ensuring the wood does not absorb a substantial portion of the gesso. Traditional methods for making encaustic gessos wich include the use of rabbit skin glue size may require multiple applications to offset the absorbent nature of some timbers.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"How To Use High-Tooth Gesso for Mixed Media Art | MM36\" src=\"https:\/\/www.youtube.com\/embed\/Ju5fNxwR08g\" height=\"656\" width=\"1166\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":42379799724255,"sku":"1MM2M36","price":18.3,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/products\/matisse-high-tooth-gesso-encaustic-250ml-952512.jpg?v=1648140378"},{"product_id":"matisse-high-tooth-gesso-encaustic-1-litre","title":"Matisse High Tooth Gesso (Encaustic) 1 Litre","description":"\u003ch1\u003eMM36 | High Tooth Gesso\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eMatisse MM36\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis permanent, flexible water-based ground, with a high tooth finish, for canvas, board, wood panels or paper. High Tooth Gesso dries to a bright white, matte surface that provides much more \"bite\" and absorbency than a standard gesso, making it a recommended ground for encaustic work or as a soft and oil pastel primer.\u003c\/p\u003e\n\u003cp\u003eWhile it is possible to make your own encaustic gesso, to prepare your substrate, it can also be a time consuming, messy and expensive process. Homemade encaustic gesso must also be used within a few days as it susceptible to mould growth.\u003c\/p\u003e\n\u003cp\u003eIn response to this problem, Matisse has created\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMM36 High Tooth Gesso (Encaustic)\u003c\/strong\u003e. This unique product provides an easy alternative to creating a surface for encaustic painting. Used straight from the container, High Tooth Gesso dries to a white, matte surface that provides much more “bite” than standard gessoes.  Although pre-treated encaustic painting boards are available, using Matisse High Tooth Gesso allows the artist to customize the surface sizing of their project and is also more economical.\u003c\/p\u003e\n\u003cp\u003e \u003cspan\u003eThe techniques and methods for using encaustic are many, and the use of Matisse MM36 High Tooth Gesso caters for them all and imparts the maximum archival benefits to your encaustic artwork\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eApplication\u003c\/h2\u003e\n\u003cp\u003eMatisse MM36 High Tooth Gesso is best applied with either a flat brush or roller. A minimum of two coats is recommended to ensure complete coverage.\u003c\/p\u003e\n\u003ch2\u003eDrying Time\u003c\/h2\u003e\n\u003cp\u003eSubject to atmospheric conditions, allow 1 to 2 hours drying time between coats.\u003c\/p\u003e\n\u003ch2\u003eFinish\u003c\/h2\u003e\n\u003cp\u003eMatte, bright white with a high-tooth surface. As a comparison, this product has much more tooth than either the Matisse white and black gessoes. It forms a gritty, dry surface.\u003c\/p\u003e\n\u003ch2\u003eClean Up\u003c\/h2\u003e\n\u003cp\u003eClean brushes, paint rollers and hands with warm soapy water.\u003c\/p\u003e\n\u003ch2\u003eEncaustic and Substrate\u003c\/h2\u003e\n\u003cp\u003eEncaustic painting, also known as “hot wax painting”, refers to the process of mixing melted wax with pigment to create a soft, coloured paint-like blend that can be manipulated with implements and heated metal tools. As most other painting techniques, Encaustic work requires a properly prepared surface to allow the painted layers to adhere successfully to its support.\u003c\/p\u003e\n\u003cp\u003eThe wax, mostly beeswax (this type is preferable as Paraffin wax can be britle when it sets), is heated until it is clear using the double-boiler method (where one small saucepan is placed in another saucepan of water on a stove) or with specialist warming appliances made specifically for this purpose. Pigment is then added. This is in general terms a simple description of an encaustic mixture, but there are several recipies available that may include the addiiton of damar resin, linseed oil or the use of other waxes. Nowadays, there are commercialy pre-blended wax and pigment blocks that only need to be melted before application.\u003c\/p\u003e\n\u003cp\u003eThe wax and pigment blend must be kept warm during application, and this is typically done with a warming tray. Although it can be a labour-intensive process, artists who use the encaustic painting technique frequently refer to its texture and luminosity.\u003c\/p\u003e\n\u003cp\u003eHowever, the encaustic artist faces a unique problem in that typical acrylic gessos do not work particularly well with the wax and pigment blend as surface partially repels the wax. While it is possible to make your own encaustic gesso, it can also be a time consuming, messy and expensive process. A bag of rabbit skin glue crystals need to be soaked overnight, before being added to a whiting\/pigment blend and boiled. Once cool, the mixture needs to be strained to ensure that the dried surface will have a smooth tooth. Homemade encaustic gesso must also be used within a few days as it susceptible to mould growth.\u003c\/p\u003e\n\u003cp\u003eA strong tooth is important to the encaustic painter for three main reasons. Firstly, it absorbs the wax adhering it to the surface. Secondly, it also allows the artists to use coloured wax\/pigment blocks to “draw” an underpainting on the surface before applying clear melted wax and blending. Thirdly, the surface also makes it possible to apply charcoal, watercolour or both oil and dry pastels before the applying the melted wax\/pigment blend.\u003c\/p\u003e\n\u003cp\u003eThe techniques and methods for using encaustic are many, and the use of Matisse MM36 High Tooth Gesso caters for them all and ensures that your artwork will remain stable for as long as possible.\u003c\/p\u003e\n\u003cp\u003eEncaustic painting is also frequently done on wooden surfaces and Matisse High Tooth Gesso dries quickly ensuring the wood does not absorb a substantial portion of the gesso. Traditional methods for making encaustic gessos wich include the use of rabbit skin glue size may require multiple applications to offset the absorbent nature of some timbers.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"How To Use High-Tooth Gesso for Mixed Media Art | MM36\" src=\"https:\/\/www.youtube.com\/embed\/Ju5fNxwR08g\" height=\"656\" width=\"1166\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":42379799757023,"sku":"1MM1LM36","price":43.8,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/products\/matisse-high-tooth-gesso-encaustic-1-litre-868357.jpg?v=1648130398"},{"product_id":"langridge-encaustic-ground-500ml","title":"Langridge Encaustic Ground 500ml","description":"\u003cp\u003eDo not dilute. Apply two coats to sealed substrate.\u003cbr\u003eOnce dry, waxes may be applied directly to the prepared surface.\u003cbr\u003eIt is recommended a thin coat of untinted wax is applied first to the ground and fused into the surface using heat.\u003cbr\u003eEncaustic Ground may also be used as a high absorbancy surface for water-colour techniques such as staining.\u003cbr\u003eLangridge recommends application to inflexible supports such as timber or aluminium. If applied onto highly flexible supportthere is potential for cracking.\u003c\/p\u003e\n\u003cp\u003eDrying time: 30-60 minutes to touch dry. Full drying: 72 hours.\u003cbr\u003eThinning: For best results thin with distilled water.\u003cbr\u003eClean Up: Clean brushes with warm water.\u003c\/p\u003e\n\u003cp\u003eConstituents\u003cbr\u003eAcrylic copolymer, Titanium Dioxide, Calcium Carbonate.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":42381286572255,"sku":"0365","price":27.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/products\/langridge-encaustic-ground-500ml-861220.jpg?v=1648130325"},{"product_id":"langridge-encaustic-ground-1-litre","title":"Langridge Encaustic Ground 1 Litre","description":"\u003cp\u003eDo not dilute. Apply two coats to sealed substrate.\u003cbr\u003eOnce dry, waxes may be applied directly to the prepared surface.\u003cbr\u003eIt is recommended a thin coat of untinted wax is applied first to the ground and fused into the surface using heat.\u003cbr\u003eEncaustic Ground may also be used as a high absorbancy surface for water-colour techniques such as staining.\u003cbr\u003eLangridge recommends application to inflexible supports such as timber or aluminium. If applied onto highly flexible supportthere is potential for cracking.\u003c\/p\u003e\n\u003cp\u003eDrying time: 30-60 minutes to touch dry. Full drying: 72 hours.\u003cbr\u003eThinning: For best results thin with distilled water.\u003cbr\u003eClean Up: Clean brushes with warm water.\u003c\/p\u003e\n\u003cp\u003eConstituents\u003cbr\u003eAcrylic copolymer, Titanium Dioxide, Calcium Carbonate.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":42381286637791,"sku":"036L","price":50.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/files\/1a_10673065-3b1b-48a5-ab17-ff509ae16493.jpg?v=1714545177"},{"product_id":"langridge-encaustic-ground-4-litre","title":"Langridge Encaustic Ground 4 Litre","description":"\u003cp\u003eDo not dilute. Apply two coats to sealed substrate.\u003cbr\u003eOnce dry, waxes may be applied directly to the prepared surface.\u003cbr\u003eIt is recommended a thin coat of untinted wax is applied first to the ground and fused into the surface using heat.\u003cbr\u003eEncaustic Ground may also be used as a high absorbancy surface for water-colour techniques such as staining.\u003cbr\u003eLangridge recommends application to inflexible supports such as timber or aluminium. If applied onto highly flexible supportthere is potential for cracking.\u003c\/p\u003e\n\u003cp\u003eDrying time: 30-60 minutes to touch dry. Full drying: 72 hours.\u003cbr\u003eThinning: For best results thin with distilled water.\u003cbr\u003eClean Up: Clean brushes with warm water.\u003c\/p\u003e\n\u003cp\u003eConstituents\u003cbr\u003eAcrylic copolymer, Titanium Dioxide, Calcium Carbonate.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":42381286834399,"sku":"0364","price":125.7,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/files\/1a_9c48d970-6684-4dfb-ae49-229d3d149f25.jpg?v=1714545196"},{"product_id":"r-f-encaustic-wax-paint-40ml-titanium-white","title":"R\u0026F Encaustic Wax Paint 40ml Titanium White","description":"\u003cp\u003eWhen R\u0026amp;F began in 1988, they continued a tradition of high-quality commercial encaustic paint production dating back to the late 1940s. R\u0026amp;F encaustic paints are milled with the time-honored methods of paintmaking.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F use 100% pure pharmaceutical grade (USP) beeswax, which has been filtered without the use of chemicals, Singapore-grade damar resin and a heavy pigment load. All of this results in the highest quality artist paints on the market.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F’s ready-to-use cakes are available in 84 colours and three sizes, allowing you to build a wider palette at an economical price. The 40mL cake measures 6.4cm x 3.2cm x 1.9cm.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":46278085148895,"sku":"1010","price":18.7,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/files\/TitaniumWhite40.jpg?v=1725054779"},{"product_id":"r-f-encaustic-wax-paint-40ml-ivory-black","title":"R\u0026F Encaustic Wax Paint 40ml Ivory Black","description":"\u003cp\u003eWhen R\u0026amp;F began in 1988, they continued a tradition of high-quality commercial encaustic paint production dating back to the late 1940s. R\u0026amp;F encaustic paints are milled with the time-honored methods of paintmaking.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F use 100% pure pharmaceutical grade (USP) beeswax, which has been filtered without the use of chemicals, Singapore-grade damar resin and a heavy pigment load. All of this results in the highest quality artist paints on the market.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F’s ready-to-use cakes are available in 84 colours and three sizes, allowing you to build a wider palette at an economical price. The 40mL cake measures 6.4cm x 3.2cm x 1.9cm.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":46278086787295,"sku":"1011","price":18.7,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/files\/IvoryBlack40.jpg?v=1725054976"},{"product_id":"r-f-encaustic-wax-paint-40ml-raw-sienna","title":"R\u0026F Encaustic Wax Paint 40ml Raw Sienna","description":"\u003cp\u003eWhen R\u0026amp;F began in 1988, they continued a tradition of high-quality commercial encaustic paint production dating back to the late 1940s. R\u0026amp;F encaustic paints are milled with the time-honored methods of paintmaking.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F use 100% pure pharmaceutical grade (USP) beeswax, which has been filtered without the use of chemicals, Singapore-grade damar resin and a heavy pigment load. All of this results in the highest quality artist paints on the market.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F’s ready-to-use cakes are available in 84 colours and three sizes, allowing you to build a wider palette at an economical price. The 40mL cake measures 6.4cm x 3.2cm x 1.9cm.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":46278093144287,"sku":"1012","price":18.7,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/files\/RawSienna40.jpg?v=1725055227"},{"product_id":"r-f-encaustic-wax-paint-40ml-burnt-sienna","title":"R\u0026F Encaustic Wax Paint 40ml Burnt Sienna","description":"\u003cp\u003eWhen R\u0026amp;F began in 1988, they continued a tradition of high-quality commercial encaustic paint production dating back to the late 1940s. R\u0026amp;F encaustic paints are milled with the time-honored methods of paintmaking.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F use 100% pure pharmaceutical grade (USP) beeswax, which has been filtered without the use of chemicals, Singapore-grade damar resin and a heavy pigment load. All of this results in the highest quality artist paints on the market.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F’s ready-to-use cakes are available in 84 colours and three sizes, allowing you to build a wider palette at an economical price. The 40mL cake measures 6.4cm x 3.2cm x 1.9cm.\u003c\/p\u003e","brand":"Standard Stock","offers":[{"title":"Default Title","offer_id":46278093996255,"sku":"1013","price":18.7,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/1558\/8063\/files\/BurntSienna40.jpg?v=1725055369"},{"product_id":"r-f-encaustic-wax-paint-40ml-raw-umber","title":"R\u0026F Encaustic Wax Paint 40ml Raw Umber","description":"\u003cp\u003eWhen R\u0026amp;F began in 1988, they continued a tradition of high-quality commercial encaustic paint production dating back to the late 1940s. R\u0026amp;F encaustic paints are milled with the time-honored methods of paintmaking.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F use 100% pure pharmaceutical grade (USP) beeswax, which has been filtered without the use of chemicals, Singapore-grade damar resin and a heavy pigment load. All of this results in the highest quality artist paints on the market.\u003c\/p\u003e\n\u003cp\u003eR\u0026amp;F’s ready-to-use cakes are available in 84 colours and three sizes, allowing you to build a wider palette at an economical price. 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